Tuesday, August 31, 2010

How I Spent My Summer Vacation

More scenes from Portland... an idyllic drive around the coast while knitting...

This is the lovely Portland Head Light. I had a hard time getting this picture, because a goofy guy kept walking back and forth in front of my camera after he saw me trying to take a picture. But I held out, and eventually he wandered out of the line of sight. He's there on the edge, though, lurking just outside the crop-line.

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A beautiful high-masted sailboat came around from behind the lighthouse, headed for the bay off the city of Portland:

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It passed behind this second little light, traveling very fast... This light is across from the several little islands just off the coast. You can see an old fort on one of these little islands to the left...

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The sailboat finally headed for the cove that edges Portland's curved waterline. I was able to follow its progress all the way in...

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Meanwhile, I knitted on my Puck's Scarf with Quince & Co Osprey in Honey:

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Sunday, August 29, 2010

Ocean Yarn

We went on a field trip to find the beautiful Quince Yarn in it's natural habitat, and arrived here (This is the moon over the ocean...):

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We rose just as the sun did, and of course, the first thing we did was walk on the ocean and look for sand dollars...

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By full morning, our vista looked like this, the bright moon a ghostly echo of it's bold evening presence:

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But, soon we were off to find KnitWit, the LYS that carries Quince in all it's yarny glory, in person, where we could peruse all the colours and touch the squishy fibers. There was a fair in town, called PICNIC that distracted us, and lots of beautiful town buildings:

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and even an old cemetery that captured our curiosity. KnitWit is right across the street from this cemetery full of intriguing ancient headstones, each with its own sad story, like this one of Mr. Clark Hall, who died in 1827 at the age of 23:

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But finally we passed under the door lintel and spent a long time on the yarn wall. KnitWit was sorting a new shipment of Quince that included a new natural linen yarn that was very lovely.

I almost came away with one of every colour of their current line! But I restrained myself to projects that are percolating in my ocean mind...

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(from the top) Glacier, Apricot, Bird's Egg, Winesap, Marsh, and Storm...

Time for me to head to the beach with my knitting bag and start making inroads on my beautiful new stash!

Saturday, August 21, 2010

A New Company - Quince

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I've been much enamoured of a new company that started recently, Quince & Co, in Maine. This company comes from the creative genius of Pam Allen, who has written so many patterns and books that we love, knitting designer Carrie Bostick Hoge and the mill owner, Bob Rice.. As soon as I saw their colour palette and marvelously unique pattern line, I felt that urge to dive in!

Here are my yarns (not quite all of them):

This is the one-ply bulky yarn called Puffin in "Honey", with their fingeringweight Chickadee and another Puffin in the colourway "Pomegranate".

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I also have the incredibly soft Lark yarn in "Dogwood", an Osprey in "Honey", and a Chickadee in "Dogwood".

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The aesthetic of this company is so in tune with my dreams of days on the ocean in winter.

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The scarf pattern in the top left is the garter-stitch Puck's Scarf. Then, (going clockwise) I have the Effie Beret, by Melissa LaBarre, the Belle Ascot, by Carrie Bostick Hoge, and - my personal favorite - the Medieval-looking Kelpie Cap, by Pam Allen.

I am currently working on the Kelpie Cap, and the Puck's Scarf, both in Quince's "Honey" colourway. I also have a skein of Peacock, to make the beret as pictured. The ascot will be in the Pomegranate, and I'll use the Puffin Pomegranate for an Ysolda's Urchin - a pattern I love.

I'm bringing my knitting to a Red Sox game at Fenway today, so four hours of Puck's Scarf Baseball Knitting! Hooray!

Monday, August 16, 2010

A Good Snow Storm

It's never the wrong time to prepare for a good snow storm, right? Somewhere in the world, it's winter (I think it's the midst of winter for my friends in Australia)! And soon enough, our short summer will be packing up the picnic basket and trundling southward. So I have begun preparing already!

Last winter, we had such desperately icy temperatures that dog-walking was actually painful. So I've started with Balaclavas.

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I used Blue Moon Fiber Arts mediumweight Socks That Rock in the colourway, Manly, But I Like it Too. It turned out nice and squishy and stretchy and fits the recipient perfectly!

This is the pattern that I was following, Balaclava by Nanette Blanchard:

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and even though my own balaclava photo looks somewhat unprepossessing, I can assure you that it looks just as neatly snug, and fits just right over the chin and nose, when it's worn!

I'm now going to make one for myself and am trying to decide what colourway to use. I'm seriously considering this one, a STR Rare gem acquired in a trade...

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or this one, with its little bit of green (my favorite colour):

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Or perhaps I should really break out and make something that can be seen in the dark, like orange or red! No, I'll probably stick with my muted colour palette, but maybe I should make colourful hats for the dogs!

Saturday, August 7, 2010

On the Needles

It seems like a good time to talk about the current WIPs! It happened this way:

I have a certain kind of summer socks that I really like. They're not, I'm sorry to say, hand knit socks. They are a cotton and elastic combination that are very soft and stretchy and good with my Merrell summer sandals. I found a store when I was in Bar Harbour that had several pairs of these in their sale basket and I stocked up. Recently, as I had my ankles crossed and propped on the hassock, my bf remarked "why is the Knitter wearing holey socks?" Yes, they had split at the gusset seam and my entire heel was un-socked! I switched to the next pair - same problem; and the next - same thing happened within a week!

Finally I awakened to the ultimate truth: I should knit some summer socks for myself.

So here they are:

It's A Fish, in Crystal Palace Panda Silk, my own pattern:

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and Kaibashira, in Tofutsies (I thought it was ironic and funny that the yarn has an element of Chitin - a fiber made from shrimp and crab shells - in it, and the pattern is styled after the scallop used in sushi):

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I have to say that I rarely knit for myself so I'm having trouble finishing these. One of my tricks on myself is to knit two patterns at the same time, alternating socks, so that I don't get bored. Consequently, I have two different finished socks and two different half finished second socks. At the same time, I'm knitting a winter hat, a summer sweater, a lovely silk scarf, and a long, high-investment shawl (vintage pattern).

Have any of you started your Holiday knitting yet? I have plans - oh yes, I have plans. But my plans are always much bigger than my time, so we'll see what happens.

Saturday, July 31, 2010

The Girls Own Paper

Keeping with my theme of old knitting and crochet books, I thought I'd post about the Girl's Own Paper. I have three of the Annual editions of this - which is a year's worth of the magazine or "paper", which was monthly - all bound beautifully together with illustrated end papers, gorgeous tipped-on coloured covers, and gilt on the spines. This particular one is from 1921 - 1922. I chose this one because it has the most beautiful cover and fly-leaf:

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This book was edited by Flora Klickman, who lived in Brockweir, a little medieval village connected by ferry with Wales across the rive Wye and near Tintern Abbey. She became the editor of The Girl's Own Paper upon the death of the previous editor. She was already a published editor of numerous books of crochet and craft and even had established herself as someone who was dedicated to conserving the patterns and styles of craft from earlier centuries. There are scholars who believe that The Girl's Own Paper, published by the Religious Tract Society, had an unstated purpose of molding the characters of young women back into the less emancipated behaviours and expectations of the 1800's. It did have articles of a highly moral nature - persuasive articles - about how girls and women could contribute to society through moral and demure behaviour, especially during the war years. There were overt articles like "The Discipline of the Affections" and "The Shining Way" which exhorted girls to not become worldly and told them that living in the city (London) would make them sad and weary as well as worldly. The long serialized stories always rewarded the young girl who had behaved well, while the girl who "lost her way amongst the temptations of the big city" received her just reward - an illegitimate child, poverty, estrangement from family, or worse. Here is a "heartening song" published in this edition:

Be strong! Don't let the foes you meet
Laugh at the faltering of your feet.
Be strong!

Be kind! Don't judge that other soul
Who seems to miss some higher goal.
We cannot tell what hindrance lay
Within his road of workaday!

God knows where life roads twist and wind;
God knows what care-thongs grip and bind.
Be strong - and kind!

The phrase "care-thongs grip and bind" certainly has a different meaning these days! ;) That made me laugh out loud!

But my favorite parts of the Girls Own Annuals are the needlework articles - this was something that Flora Klickman excelled at and she published many little books devoted solely to these patterns separate from the Girls Own Paper. Here are some examples from this 1921 - 1922 Annual collection.

In the early part of the century many women made their own unders. While this was mainly a sewing task, there are a few examples of knitted and crocheted unders and combinations (one piece underwear with connected camisole and tap pants - considered a French style). Most of the sewn examples showed crocheted or knitted lace inserts and edgings. The "summer underthings" were often made from silk or batiste with embroidery.

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"Camisoles - the sort one likes - are always expensive to buy, and yet, given a little time and patience, one can make some delightful camisoles at little cost. An Envelope Combination made in wool is a decided novelty, and the one described... is as pretty as it is comfortable. It is knitted in four-ply Vest Wool, and is so shaped as to have no bulkiness at the waist, and yet the lower portion hangs full. You will certainly want to make this when you have seen it."

A "lower portion that hangs full" was as important 100 years ago as it is today!

There are many pattern for children and babies, but not all are included in the book pages - some require you to send in a few cents to cover postage of the pattern or the knitting and crochet directions. Many of the patterns have simple lines. This little toddler dress is one:

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It is a fairly simple rectangle made on a foundation of 110 chains with single and double crochet and crocheted flat from the bottom up, so that the sleeves can be shaped by casting on 10 chains and the little scooped neck is created by turning and making the top rows of each sleeve separately.

While the silhouettes of childrens' clothes were simple shapes, they often had beautiful embellishments to brighten them up - applique, embroidery, or knitted and crocheted lace inserts. There are several pages of filet crochet inserts that could be used for childrens' linens, clothing, or underwear:

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Flora Klickman often promoted her own books in the pages of the Girls Own Paper and these filet designs are from her publication "The Home Art Crochet Book". But the photos were large enough that an experienced crocheter could make the article just by counting stitches in the picture, as is true of the child's little dress above.

I love old hat patterns - some of them so outre that they couldn't be worn today...

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but some are perfect for my New England winters:

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This is called A Becoming Tam o'-Shanter and I'll give the directions here, since it is out of copyright and in any case requires some translation from the obscure antique pattern-writing style which was vague at best.

For this pretty tam you will need two 1/4 lb. balls of "Esplen-d'or" cable yarn (this is an Aran weight) and a coarse steel crochet hook (about an F, depending on your yarn).

Chain 4 and join with a slip stitch into a ring.

1st round: Ch 3, 15 tr (remember that this was published in England so a treble crochet is a US double crochet) into ring, join to first tr.

2nd round: Ch 3, taking up back loop only (in each round), work 2 tr in each of 15 tr, join.

3rd round: Ch 3, tr into back loop of first tr (same st with sl st), 2 tr in next, tr in third st, 2 tr in next, continue around and join (45 tr).

4th round: Ch 3 *tr in each of 2 st, 2 tr in next, repeat around from * (60 tr), join.

5th round: Ch 3, *tr in each of 3 st, 2 tr in next, repeat from * around (75 tr), join.

Continue to increase 15 st in each round until 14 rounds with 12 st between increasings are made.

15th round: Ch 3, *tr in each of 12 st, thread over, draw a loop through next st, over, draw through 2 loops, keeping 2 st on hook, thread over, draw a loop through next st, (over, draw through 2 loops) 3 times, repeat from * around, join. Decrease 15 st this way in each of seven following rounds, then make four rounds without decreasing, and finish off.

The Tassel

Wind yarn 70 times over a 7-in. piece of cardboard. Cut along one edge and tie strands in centre with two 20-in. lengths of yarn. With these four ends make a ch about 2 in. long.

The Cover for Tassel

Ch 4 and join into ring, ch 3, 14 tr in ring, join, (ch 3, tr in back loop of each st, join) 3 times. Finish with a row of picots: dc (the US single crochet) in first st, *ch 4, dc in top of dc just made, dc in each of 2 st, repeat from * around and join.

Draw ch on top of tassel through the ring of cover and sew to centre of tam.

Cut and fold a bias strip of georgette (silk ribbon) about 2 in wide. cast off last row of tam with this fold, then make a band of silk which will fit your head size and sew to the last four rows inside tam. Sew in lining of self-coloured silk.

This last part might need some translation. In other words, you are going to fold up the last four rows of crochet and, as you bind off, crochet them to the inside of the tam. Then you will take your bias length of silk ribbon (bias so that it stretches slightly) and sew it to the inside of this folded under brim, so that the silk is against your forehead when you wear the tam. I like this idea, but I think I might do it without the double brim, which I think might feel too thick for me.

Fini!

Other enticing patterns in this book are sweaters, called "Knitted Blouses". Full patterns are given for these and they are charming, and - again, because they are styled with simple shapes sewn together - very easy to make.

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Another aspect of the Girls Own Annual that I love is the numerous articles on cooking such as "The Bachelor Girl's Supper" and "French Sitting-room Sweets". The full title of this last one is "French Sitting-room Sweets That can be Made with A Spirit Lamp". In other words, you don't even need a kitchen or a stove, but only a kerosene lamp. This allowed the young woman working in "the city" and living in a one-room studio apartment or who was boarding in one room in another person's house to make candies for gift-giving or selling at Holiday fairs - a great way to save and make a few extra pennies.

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Here are a couple of the recipes that I have tried - only one requires the "spirit lamp". They were a great favorite at Christmas time with my friends!

Truffettes au Cafe:

1/2 lb best butter
1/2 lb best cocoa or finely grated chocolate (and some extra for coating)
3/4 lb plus 2 oz icing sugar (what we call Confectioner's Sugar)
1 tablespn coffee essence (I used instant coffee for this, which I think was the original meaning of "coffee essence" - 1 Tbl of liquid coffee flavouring would be too strong)

Beat the butter and sugar to a cream. Stir in the chocolate and coffee essence. Let the mixture stand till it has stiffened a little, so that you may handle it easily. Then form it into neat little balls the size of walnuts, and roll them in chocolate
which has been grated on a large grater, so that it is in small grains rather than powder (I've also used powdered chocolate for this and it was fine).

Arrange the finished trufflettes on dishes, and leave them till next day before putting them into frills and packing them in boxes.

They are Quite delicious - soft, rich, melting in the mouth. But they do not keep long. They are best when eaten within three days in summer, and a week in winter.

Rochers aux Amandes Grilles:

These are those rough lumpy chocolates with little bits of almonds in them, which you will find in all nice boxes of mixed sweets.

Blanch 1/2 lb almonds in boiling water, and skin them. (I bought almonds already peeled but I believe that you can take whole almonds and put them in a wire colander, and dip them into boiling water for a minute, so that the skins soften and are easy to peel off). Put them on the lid of your little lamp, and shake the lid over the heat till the almonds are nicely browned. Then chop them roughly, and add them to the truffette mixture (you can omit the coffee so that these have a different flavour).

Don't roll this in grated chocolate, but take up small lumps on two forks, roughening the surface as much as you can. Set the lumps on plates to dry.

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There you have it - a nice walk through a 1920's book for young women. Inspiring, yes? I think so!

Saturday, July 24, 2010

A Dose of Vintage

I thought you might like a little dose of Vintage this morning. A dose of vintage can lift your blues, kick-start your inspiration, and generally make you feel good. It works for me! But I admit I'm a little odd - I'm the person that has a chocolate-bacon bar for breakfast and likes wearing an old cotton granny-slip for a nightgown! But maybe you have your own reasons for liking the vintage flash, so here it goes:

A couple of years ago, I was fortunate enough to find an old children's knitting book, called I Learn to Knit to Dress My Doll Primrose.

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It has an inscription on the inside, Christmas 1950, for Diane, with Love from GeeGee. So that pretty much gives me the publication time frame. A friend on Ravelry told me that this is the US publication of a French book of the same name, published in 1947. The story in the book is very 40's with carrier pigeons bringing news and propeller airplanes.

This children's book tells the tale of how the doll Primrose came to be found in the garden of a little girl, The little girl has just learned to knit, and so she makes a wardrobe for her new doll, and in the process gives simple directions - with lots of pictures - of the knitting process.

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I love children's knitting books and have a couple of others (we have an antique book fair in my town every year - I missed it this year, but have gone often in the past) but they are scattered around the house in different places... Oh, okay. I'll go find them!

Here are the Mary Frances Sewing Book (Adventures Among the Thimble People) and the Mary Frances Knitting and Crochet Book (Adventures Among the Knitting People), published in 1913 and in 1918. The sewing book still has all the patterns, including one for a doll's wedding dress

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Like the 1940's one above, these books provide simple instructions through a fantasy adventure story format and then offer practice with small simple projects that result in pretty instant gratification to keep the kids interested. These projects are described in these old books as "small projects that will not tire her."

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Another Book I have is a reprint of Flora Klickman's 1910 Little Girl's Knitting & Crocheting Book by the LACIS company. Flora Klickman was an incredibly prolific crochet and knit designer and collector and chronicler of designs. She edited many little books of patterns, as well as the Girls Own Paper, which was a magazine for girls and young women meant to fill in the gap left by the popular Boy's Own Magazine. I have one or two of her Home Arts Series crochet books and a few of the Girl's Own Paper in their Annual Edition - which is a bound book of a year's worth of the magazines, with all the articles and colour illustrations. But back to the Little Girl's Knitting & Crocheting Book:

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This book has very few instructions - just a couple of pages of simple stitches. Many of these patterns are doll clothes and accessories but the Little Girl's book has patterns for "Baby Sister" and "Baby Brother" too. This has the added advantage of teaching children to care for their younger siblings.

As well as doll outfits, it has slippers, hats, bags, knitted stays, filet crochet curtains, edgings for sheets, a petticoat, a fluffy blanket, a pretty vest (undershirt), and edgings for underclothes sized for a 4-year old and other patterns. This book seems to be geared to the preschool child who has already begun her lessons in needlework - lessons that in 1910, would continue through her childhood and girlhood if she were lucky enough to go to school or to have a governess or a mother with free time to teach her. (I also have some of those needlework instruction books that were used in early schools or by governesses to teach knitting and crocheting to children.) The Little Girl's book includes Filet Crochet in it's instructions and patterns, something I didn't find in the others. But that's not surprising because filet crochet was one of Flora Klickman's own special interests.

Here's a pretty vest pattern that fastens with knitted ties, on the side.

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I love the ruffled, fancy cap sleeves on this little vest. I'd like one for myself!